Scroll
It started with house. Seoul, the late 2000s — Air, Circle, Heaven, back when club music in Korea was still a small scene, and a monthly house residency was something you built by hand.
Then the boom arrived, and it took him abroad: Womb and ageHa in Tokyo, Belasco in Los Angeles, PrivatClub in Berlin, Tivoli in Utrecht, Beijing, Manila. Eight countries. Over thirty international bookings across the peak years.
He's back where he began. 2024–25 across Moscow and St. Petersburg. January 2026 in a converted military bunker outside Cheongju, playing techno until the room gave out.
Twenty years, one arc — and a DJ who has already survived three complete changes in what a booth even looks like.
DJ bookings
Festivals and stages
Guest bookings and residencies
Give him anything
Three complete equipment eras in twenty years — analogue club decks in the 2000s, laptop and timecode when almost nobody in Korea ran it, and standalone units today. Any CDJ, any mixer, any controller, with a laptop or without.
For a promoter that means one thing: no backline requirement, no technical risk.
A veteran who never falls behind — DJ Roem reads the floor, and moves the moment it does.